
Click here to read my recent opinion column in Sun.Star Cebu in celebration of this unprecedented moment of the inauguration of the 44th president of the United States of America. For the complete text of Obama's inaugural speech, click here.
Zapping The Sleepwalker Into The Sunrise Zone





"And the Grinch, with his Grinch-feet ice cold in the snow, stood puzzling and puzzling, how could it be so? It came without ribbons. It came without tags. It came without packages, boxes or bags. And he puzzled and puzzled 'till his puzzler was sore. Then the Grinch thought of something he hadn't before. What if Christmas, he thought, doesn't come from a store. What if Christmas, perhaps, means a little bit more."
~ Dr. Seuss
Malipayong Pasko ug Bulahang Bag-ong Tuig natong tanan!
If the footloose Grim Reaper had a favorite song to send him pirouetting on a carpet of petals nipped in the bud, it could be Louis Armstrong's "What a Wonderful World."
It's supposed to be an ode to the bliss of being alive, its lyrics utterly incandescent to our ears. We could have hummed along like we were swelling up until we could burp the rainbow into rising above us. But, alas, its evocation of paradise never fails to impress me as something fitting for a funeral procession.
Happiness, after all, happens like refrains in a dirge. Pretty much like background accompaniment only to our front acts and its regular repertoire of these little deaths: our anxieties, our disappointments, the jiggle of our jaundiced eyeballs to the sonic boom of our sighs.
In this season that confronts us with a compulsion to be merry--the topic of my recent column at the op-ed page of Sun.Star Cebu--it is unavoidable for the vultures of worries to spread its wings over our heads. In the face of crisis--global, local, and personal--the pursuit of happiness does loom no less than an obstacle course up the paths of Sisyphus.
What does it take to be cheerful? It's the crux of the cinematic genius of Mike Leigh in his latest film, Happy-Go-Lucky, whose chuckle-prone protagonist comes in sunlit contrast to the stripped-to-the-bone depiction of lives exiled into their inner darkness in Naked (so fully embodied by David Thewlis in a bruising performance worthy of the Best Actor prize at the 1993 Cannes Film Festival).
Worth scrutinizing, indeed, how Leigh mines the dynamics of joy without drilling and driving headlong down the borders of escapism. So far, as in most of Leigh's works, those who have seen it are up on their toes in applause. (Click here to read the chorus of rave reviews.)
No less phenomenal is Sally Hawkins whose portrayal has been rewarded with a Best Actress trophy at this year's Berlin Film Festival. She's been coasting along with a wave of wow as critics' circles from New York, Los Angeles, San Fransisco, and Boston cast ripples all the way to the forthcoming Golden Globe and the Oscar awards.
"Let us be grateful to people who make us happy," exclaims Marcel Proust, "they are the charming gardeners who make our souls blossom." Here's a bouquet, too, for Mike Leigh and Sally Hawkins. See the trailer below:
You want to ignore it sometimes just because it obliges you to take your cue from the one who deemed you worthy as one of its recipients. Or responsible enough to push it forward so that it may come full circle. A waste of time, you think. And yet you feel kind of diminished somehow for copping out, as if you're fit to be tied for cutting the chain and its promise of sweetness and light.
I know that when I can't pray, You listen to my heart. Continue to use me to do Your will. Continue to bless me that I may be a blessing to others. Keep me strong that I may help the weak... Keep me uplifted that I may have words of encouragement for others. I pray for those that are lost and can't find their way. I pray for those that are misjudged and misunderstood. I pray for those who don't know You intimately. I pray for those that don't believe.
But more than the whiz-bang wonder of Manny Pacquiao overcoming the odds like a true-blue warrior throughout the rounds, what struck me most was not the upfront stance of one-upmanship while the limelight zoomed in his moment of triumph.
We'll hunker down in front of the telecast, and up on a toehold of hope as the weight of our collective expectation bears down on him. As if his failure would be our doom. As if his victory (let alone his millions and his legendary popularity) would be our deliverance, personally or as a Filipino nation.
Although I leaned more toward Hillary at the start of the campaign, Barack had been stirring my cowlicks with the fresh air of his conviction and the force of his character. Both, I believed as I do now, will make the White House live up to its color after the stain and smoke of the Bush administration.
Easy to see, therefore, why the choice of E! entertainment television as "the world's sexiest woman" is someone who can wear seduction on her belly button.
By that standard, no woman in the world stands taller in my eyes than Jhumpa Lahiri, the Pulitzer Prize-winning author of Interpreter of Maladies.
"Grown don't mean nothing to a mother. A child is a child. They get bigger, older, but grown? What's that suppose to mean? In my heart it don't mean a thing." (Toni Morrison, Beloved)
We are wow, or so Bisdak pride takes a hollering carousel ride. We hold no horses, after all, about our identity: descendants of the daredevil Lapu-Lapu, and caretakers of the oldest Christianity in Asia. Fierce and pious but fun-loving, that's the stew of the Bisdak spirit. Humility aside, there's more to mull over being Bisdak, as my regular column in the op-ed page of Sun.Star Cebu recently affirms.
May your appetite abound with broccolis, carrots, spinach, utan-Bisaya, avocados and bananas. May your scars be skin-deep only. May you grow with the grace of a Gene Kelly and a Buster Keaton. May you sway your head along a Yoyoy Villame tune. May you memorize the 23rd psalm and some of Rumi's poetry. 
May you, in the wrinkled face of cynicism, persevere with the child-like carelessness to slosh around the wellspring of imagination and wonder. May you hoard superhero comics and collections of quotations. May your invectives be as genuine as your gratitude.
When the world continues to go mad, may you find a merry-go-round of reason and rhyme. May you have the folly to make an art, an adventure, an altar out of your lifetime. In an earlier interview with The Guardian after he found himself shortlisted for the prize, Syjuco explained it was "like someone coming into my dark room and throwing open the curtains."A vindication, indeed, that dispelled the doubts lurking inside and around him while he hunkered down along the process of seeing his first novel through the light of day. "This whole Man Asian Prize hullabaloo suggests maybe my literary experiments and ideas-- which many people have suggested I compromise but which I refused to-- are not misguided," he said. "Perhaps now I can share my work with the world. I also hope the Man Asian Prize will help spotlight the writing of my Filipino countrymen."
Take a peek at the plot of Syjuco's prize-winning novel: Miguel, the central character, is the acolyte of a prominent man of Philippine letters, Crispin Salvador. The author has been found dead in the Hudson River, and soon Miguel is investigating both his death and the disappearance of a manuscript about the corruption of rich Filipino families. He winds up tracking Salvador's life through his poetry, novels, memoirs, interviews and more, building a narrative that spans four generations of history.
Here's the full report: "A spellbinding victory for Philippine cinema.
Visitors to the Cable News Network entertainment website voted Ishmael Bernal’s Himala, which starred Nora Aunor as a simple provincial girl turned faith healer, as the best movie of all time in the Asia-Pacific region, outclassing such greats as Akira Kurosawa’s “Seven Samurai” and Ang Lee’s “Crouching Tiger, Hidden Dragon.”
Others in the top 10 that vied for the honor, in which “Himala” was the only Filipino film, included Andrew Lau and Alan Mak’s “Mou Gaan Dou (Infernal Affairs)” from Hong Kong, Chan-wook Park’s “Old Boy” from South Korea, Hayao Miyazaki’s animated film “Sen to Chihiro no Kamikakushi (Spirited Away)” from Japan, Satyajit Ray’s “Pather Panchali” from India, Peter Weir’s “Gallipoli” from Australia, Wong Kar Wai’s “Chung Hing Sam Lam (Chungking Express)” from China, and Mohsen Makhmalbaf’s “Gabbeh” from Iran.
According to the CNN website, critics, industry insiders, Asian film stars, and CNN viewers chose the movies that landed in the shortlist of ten films. The online poll that ran in October determined the winner.
The Filipino classic, which was written by Ricky Lee and originally released in 1982 for the Metro Manila Film Festival, was announced the top vote-getter in the popular vote and named the winner of the CNN-APSA Viewers Choice Award for Best Asia-Pacific Film of All Time on Tuesday at the Asia Pacific Screen Awards in Gold Coast, Queensland, Australia.
Hundreds of film industry luminaries from around the world attended the event."
Take another look at the trailer of one of Philippine cinema's pride: